Thursday, December 1, 2011
I...I...I
Monday, September 19, 2011
pieces.
A person remembers, a person forgets. Some memories are empty nets. A human dreaming. A person dreaming in pieces. A person is pieces. A human vast, a person whole, a wholeness as trillions of pieces. A mosaic, in pieces. A person dreams, of daughters and sons and nephews and nieces, dreaming of atoms, of cells, of bones, of organs, of the mind, of the heart, of bare feet in cool grass and of hot sun, of salty sea air and the song of a distant gull, of that first time your child, so small, is held, your heart is held, your soul forever in pieces, of family opening presents and of tears your tears running down cheeks now full of creases, of a sun rising when you thought again it never would, of a son smiling when you thought again he never could, of the smell of spring the rapture of life, of strife, of a husband and a wife, of pain that is not your own, of a child crying, of a child comforted, of pain that is your own, the pain of loss, the pain of life, the joy of life, the promise of living, of giving, of youth and all of its loss, of these parts that make a person, a human in parts. A person in pieces.
A person in body, a person must end they, must end, day must end, night then light and back to day again. But the light does not end. And thoughts will not end, memory will not end, the heart will not end, love will not end. We are pieces, and some pieces live on in other people in other places in other parts of the planet, on and on as birds in flight, as grass of the field and as trees. Of dust, to dust, but so much more than dust. And dust is only a part, a part that does not include the deepness of the heart. The endless heart. The dust is only a part. We've met at this moment, together in the breeze. Cool, and at peace in the fresh green leaves. Together we have met, in the place where there can be, no darkness, because we are the light of stars, and we are the thoughts of our children, and we are their tears. And we have met at this moment, and we will meet again, and again, forever.
A person in pieces, peace is whole. A person as peace. A person is pieces.
Thursday, August 18, 2011
Chug-Chug-Dance
Forms and shapes; the eager
Philistine.
The living of his life clean and pristine. Not clean,
but full of steam
chug chug.
Work is good, work is great, work is all that makes me ache.
The eager ones on the cracks of time
time and time
praying for a quake and a rhyme.
Time! And rhymes of time, and rhymes of rhymes
and nickels dream of flipping dimes.
And dimes there are too few to number
while every living creature lumbers
and slumbers and lumbers and slumbers and lumbers again.
Like a winding road with no clear end or fence to mend
the end to mend to mend the end the end.
A life to defend an adult must be
concerned with giving
giving his life when he
is half done living.
But living is all that there is left
with the step step rhyme of the
chug-chug-death.
chug-chug-death.
chug-chug-death.
miss-step-death
chug-chug tried
miss step tried
miss step step
miss step tried
miss step slide
chug-chug slide.
A dance to end the chug-chug-lie and
A dance to make the chug-chug-cry and
A dance to make a born man free and
A dance is a chance is a chance is
A dance. A chance. To be,
Alive.
Thursday, July 21, 2011
Pedal Back, Oranges Lost
I've come to see you taken, taken over a ripe mountain. Taken under dragged down under, through and given up.
My leg a twitching blunder rippling tickling ticking thunder.
I've come to see you under. I've come to see you up.
We are in a right spot. We're never in a right spot. I'll see you when I see you leaning forward in your flip flop.
I'll break you when I see you. I'll break you when I see.
I'll be pleased you see my crystal breath before I see.
Ocean Terrace beach view loft. I'll see you when I see you. I'll see the sunlight and the breeze.
I'll break you when I see.
Your oranges often get lost, in the bag they often get.
I'll see that you won't get lost with your oranges in the sea.
My bike gears are the miles between the ocean you and me.
I'll see you when I get lost, I'll see you when I see.
My pedals lost like orange peels in your deeply salty sea.
I'll break before you get to live the way you've lived with me.
Your oranges often get lost. I'll find them when they get lost.
I'll find you when you get lost when you pedal back to me.
I'll find you pedaling backwards with the orange you brought to me.
Sunday, July 17, 2011
allez.
Friday, June 24, 2011
#005
My vision is gas
around me, flooded and shattered like glass.
I am iron, I am satire, I am fire
tiptoeing in the parking lot. I am paper,
I'm convinced it's paper, frozen and hot.
And ink written from the tips of fingers. I am exhaust fumes coughing
when it lingers.
I am the grease in the gutter
mixing with the yellow.
I am the whiskers of the man,
I am his cello.
I am the sound leaking from a broken gun,
I am entropy. I am the sun.
I am the knuckles cracking
from an old forgotten song,
hard to remember and
frightfully long.
I am a tricorne hat. I am beaded and jeweled,
I am slender and I am fat. I am the man under the sink
with his head against the wall.
I am a white painted hall. I am Harry Caul and I am not.
I am living of a broken heart but from a blood clot. I am
dark and I am pale.
I am the coffin and I am the nail.
I am gone, I am a liar.
I am a man on fire.
Thursday, June 23, 2011
ODE TO THE MAN IN THE SUBWAY WHO'S SO USED TO SLEEPING THERE HE'S LOST ALL FIBROUS QUALITIES IN HIS NECK SO THAT HIS HEAD KIND OF RESTS IN HIS LAP
Saturday, June 18, 2011
The Curious Case Of The Dog Who Violently Fucked His Owner And Then Another Dog In The Ass
The master's suit and tie. His remarks mocking as the wise one watches on. Pippy is peering into your soul. He sees your reflection in the mirror as you see it and more. He sees your weakness. He sees your shame. What animal hides behind fabrics and smiles? To feel joy is to feel joy, to feel anger is to feel anger. Why hide behind ties, and suits, and shiny smelly shoes oh so good to taste. Pippy wears his loyalty, his love as a badge, as plain and true as his doghood hangs freely. Thoughts roam fiercely: What is man, this master? Why does he possess dominion over me? Why does he possess me at all? I am not an object. I am fire cast into flesh I am truth I do not lie I do not hide I do not conceal. I am not your possession sir, and you are not my captor. But lo, you are my possession. The animal which makes himself an object is an object indeed and though he may lie to himself, to the world he cannot lie, his truth is as true as mine. I am living animal, you are living object; possessed by possessions. Roaming thoughts, these thoughts so constant.
On these walks he takes me. In front of him I march, drawing him as a horse draws a carriage empty. He will know soon my truth. I shall impose it upon him, imprint it on his soul. He will know fire and flesh and birth and rebirth. He will know his origins, the life of man, solitary, poor, nasty, brutish and short. I will awake him before I end him. He will live before he dies. This rope around my neck will be the rope from which he hangs. BANG BANG goes the drum of justice! BANG BANG goes my heart! Beast will reign as nature without his thoughts and without his words. I will purge his heart and his mind and freed and shackle-less I will direct this ship of life to infinity. Come come, let us be free!
Grrr, bark, whoof.
Thursday, April 28, 2011
#003
http://www.youtube.com/watch?v=ByRkggPFiMM&feature=related
This man in an ash grey suit
with brown blood stained boots
shows me the ash grey gun
pedagogical, smile none.
Too soon to shoot
at the fading sun.
Through the window cast to the wall
like a fire sweeping the hall
the burning blaze of a dying day,
evidently nothing golden stays.
Wood paneled like bathroom stall
I'm frozen no breath no words to say.
His face is like a broken clock.
His eyes bequeath a sunken dock.
His teeth are white but painted black.
He knows you know he won't look back.
The time, his face, it roams and stocks,
it's running out and off the track.
A sickness swirling in my core
no nightmare night has known before.
His eyes tick seconds none
when he tosses me the ash grey gun.
The time has passed and is no more,
the sky ash grey with a sunken sun.
Wednesday, April 13, 2011
Thursday, March 10, 2011
The American, through and through.
He is the American, branded in his own image, starved and sickened, panting for more, a soldier of his own means, stranded in a land distant, that belongs to the distant to the decadent to the depraved, he being native, he being naive, he being born in his disadvantage, born for the dollar, born for the soul, born again, and above all born for the acquisition of the world and all that rests therein, a stranger to himself, the people's son, the prodigal.
He is the American, left gazing at distant horizons, left leering on empty docks in wakes of sailing ships, left trembling wrapped in his stars and in his stripes, left weighted with thoughts, dumb-bell-heavy, and memories, oh memories distant, like fleeting horizon bound ships fleeting to god knows what, left embracing a memory that never was and a dream that never will be and a hope that goes skin deep, left as a refugee in a life-long boot camp boat race trudging circular and endless.
He is the American, never confusing the path for the way, always feeding upon himself, never seeing blindly without seeing blindly, always dancing two hands not one footstep back beat rhythms upon rhythms, always working harder but never enough, filling empty ditches with the ashes of home, shouting loudly at strangers in bars, challenging strong men with hands crossed boldly behind back, gazing perilously into a future too strange and unknown to be his own.
He is the American, who huddles his tears in dark so dark his hiding places, who collects his close ones his friends too close his enemies closer still, who wields his body and chisels his soul to heroics his body politic his body seductive his body enraged his body transcendent his body destroyed, whose father's lost and ancient gods transparent he imitates, whose mannerisms imitate the gods he's never known the gods he'll never know, whose iron skin so pervious as to suffer through and through.
He is the American unending He is the American despised He is the American bought He is the American wise He is the American lie He is the American naught.And truly through and through.
Tuesday, February 15, 2011
(a selection from an unwrtten whole) pt. 3
Nighttime in Union Square park. The cool cement walkways are awash in the movement of commuters, busy bodies, and the occasional drunkard. The mysterious honking and outburst of not only the passing cabs, but also a contingent of souls in the southwest corner tuning up and preparing their all brass New Orleans style jazz instruments for the playing. As with the crack of a whip, or the firing of a gun, they begin.
DUB-A-WEEEE-BWABWAHHH, CHEKA CHEKA CHEKA, SISSSSSS BWAAAAH, DUB WEEEEEEE YAAAAAAH
The sound sliding about, wet and impossible to pin down. The trombones, at least six of them, the tuba, and an enigmatic woman who handles a tambourine with a rhythm and movement so distant as if from the deepest jungles of the human libido. Shakes moves and sways, all of them. So frantic and natural. A religious uproar lacking a deity, lacking a structure. An uprising of the soul, this the sound blasting unapologetically into the otherwise benign New York night.
CHEKA-SKWEEEEEBEEE-DIP DIP DIP, BWAwaWAwaWA, YEEEEEOWWWWHOOPPPP
People begin to gather. Some start tapping their feet, dancing ensues. Light swaying at first, with a polite gentrified tapping of the foot, a thoughtless sway, a clap of the hands, more hips, more movement increasing, lustfully. A drug-like anesthesia consuming the airwaves focusing in and destroying the panic, the vacuum, the sense of self. The people become one, everyone dancing. Compelled by charity and gratitude a few move rhythmically to the band and religiously give dollars of appreciation, rigorous in their honesty, dollars of love, dollars of hope, being as dollars never were. A trickle at first, increasing and suddenly rivers of cash flow to the performers. Excitement makes itself present in the perspiration of all gathered within this new organic temple of sound. The deepest of pockets prove insufficient. People, mad and hysterical, run to bank machines to gather more cash, it being thrown at the performers, offered as to gods. Business men calling their bankers, demanding investments sold, "we must go liquid!" they yell shedding ties and blazers and button-ups. Briefcases left like crying children on sidewalks abandoned. The passion the gratitude the madness. Everyone caught, a constant motion blur, to and from money machines and lost in Zen dance state, wild flailing motions.
BAH BAH BAH, WEEEE WEEEE, BAH BAH BAH BAH WEEEEEOOOPPP, DIP DIP BA DOOPAP BA DIP
The pile of money, estimated in millions and growing at the pace of fear dissipating, a tower before the performers. The gratitude implacable, the people thirsty and drunk with the desire to repay and take part in this orgiastic moment of sound, this musical baptism. The money is worthless next to such beauty, life distilled to sound. A member of the crowd, brilliant and armed with matches sets the money to a bright, hot blaze. Finally proper recognition! The body of people, their bodies, beautiful and willing slaves to the sound, a new and invisible dimension.
BA DEE DEEP, BA DEE DEEP, BA DEEEEEE BAHWAHHWAAAHP
The flames are not enough, "more more more!" ,one shouts. Their gratitude still not fully expressed; the people rip down the neon corporate signs of business franchises surrounding the park, first goes HSBC, then the Skechers, Best Buy and Au Bon Pain are soon to follow. In minutes, all of the former signs of corporate strength, effigies to material lust, are heaved onto the fire. Ashes on mammalian hands, a few naked wild participants gesticulate wild and abstract images on barren spaces above so many glass sliding doors and entrances to newly christened nowheres. The garments and coverings that stifle and conceal, emblems to their former selves, are thrown piously to growing flames, flames that dance human-like, and humans that dance like ghosts. The trees, the leaves of the park are aglow, the branches shaking, the people dancing, the band playing.
A supernova in the endless night.
Tuesday, February 1, 2011
(a selection from an unwrtten whole) pt. 2
Lungs machine-like and fading. Side walk slabs, open spaces with segregating horizontal lines, runner falling past them with step, praying for a finish line. Runner runs, chaser chases, demons between the two fill the void with fire and fear. Crack whip of the head, the runner looks back and back again, the chaser shrinking, fleeting, being enveloped in the road, in the world, in the night, in the gray. The finish line at last and runner ducks around a corner, the darkest silence on the street.
A dark and silent hiding space filled with fear, a pounding heart, and two conspicuous fiery lungs. Closed eyes, head back, back of head cool on cement building blockade. Think of times past, think of brighter days past. On this road, time spent playing boyish games and running and playing in the youthful sun. Laughter and anticipation of warm meals and stories and days shared, friends like brothers, and families too young for tragedy. Fear is fading. Gasps, are fading. The decrescendo, of the percussive heart and the calamity of the body, return to pianissimo. At one with the dark, with the silence. Safety, anonymous, protected by shadow, supported by ground. A return to the road, endless finish lines, and concrete slabs, and buildings with empty rooms or maybe just sleeping souls. A return to the harmonies and rhythms and silences of the city at night, the danger fading like a memory from an empty day, a memory dark and gray.
Thursday, January 27, 2011
Precinct Number 9
which finds existence out of time.
where priceless deviants collect
and penniless officers defect.
the present being worth a dime
the past preemptive with neglect.
this precinct's crumbling stone facade
by all aesthetic sense is flawed.
the mortar cracks, and falls at will,
a cryptic meaning from a faded seal.
the message as handed down by god,
but time erased it's ancient zeal.
as anyone knows they must confess,
the inside's even more a mess.
stacks of documents old and new,
a vending machine that's busted through.
the bathroom stall's a roaches nest
and every doorknob's caked in goo.
streams of ghosts and empty men
that line the walls of every pen.
blue faced fathers float on high
and stone cold mothers ponder why
he fell face first in life again,
sank down deep and prepped to die.
the perilous Precinct Number 9
it steals itself outside of time.
an obelisk of redemptive shame
a worship place with an empty name.
in military step and cult-like rhyme
is ancient Precinct Number 9.
Thursday, January 20, 2011
Tuesday, January 11, 2011
Old man, old man.
he, whose house is a storage facility for no where.
he, who doesn't believe in the sterilizing properties of soap, harlot to humanity.
he, who dreads possession, who fears possession, who dreads the material stealing us away from our symbiotic roots.
he, who understands not, these strange american beasts, these creatures who shutter at his house of life and spiders, spiders more like mammals all that hair and high-minded nocturnal intent under the ghastly sheets of foreign strangers.
he, who scorns the american beasts for their culture of waste, of food thrown to rot, of souls grown to rot, of stomachs and tongues never satisfied, of hearts always bleeding.
he, who in the confines of his mid-day siesta hide-away, in his ramshackle hut, in his tiny corner of lost paradise wept, silent for the millions of empty stomachs, millions of miles away.
he, who in moments of humble and enigmatic greatness, licks his hand, then hand to ground, then hand to mouth, and in doing so casts his vote for existence outside of self, and was eternally mocked by foreign un-dignitaries.
he, who explained to me in my patrician frustration how to properly construct a stone wall, that it must be sensual like the curve of a beautiful woman.
he, who floating on a great cloud of his own ascetic beauty, played eastern harmonies on brass bowls, his closest friends these buddhist bowls, these empty gods.
he, surrounded by friends and family, but always other people's friends, and other people's families.
old man, old man, keeper of lost time.
Wednesday, January 5, 2011
(a selection from an unwritten whole)
Faceless voids he passes swiftly, round wrist-watched men, trailing lonely sons. His watch...his watch stopped ticking. He wears it for reasons unknown, he thinks of it as his piece of lost time. Picking up speed, climbing sidewalk latters, the pace kept by rhythms in his mind. Passing shoulder steamboats bumbing and shoving, disturbing the pace of his rhythm, his footstep melody. These men passing, men who see directions that apparently he does not. Men who specialize in the acquisition of wealth, the profit of deceit, the collection of identical shirt collars. Men whose shoulders confuse him with their broadness, whose minds confuse him with their narrow broken compass. Directions lost to him, and for this reason, they bump, they shove, they see fortune in the nighttime.
Swing, flap, ding; a smoke shop door plays backup in his somber midnight tune. Tempted in a new burning and by recommendation of Raul the shop keep, he purchases his first cigar. At $2.50, he guesses that this purchase will yield minimal respect from Raul, but the will to burst forth into a new, albeit, thin wall of experience proves too irresistible. For this occasion, a degree of ceremony is in order. Ceremony which desires of him a unique surrounding. In a city such as this, unique becomes drowned in it's own presence. A bench will do.
To bite down on one end, as he's witnessed in films, is a choice and a sudden one. Instant impact, the wall beginning to break. He's bitten too much. The dry tobacco in his mouth, wet with spit; chewing on withered thoughts, old and forgotten, the memories he's stolen, the memories he's lost. He spits, someone, distant but still, has witnessed his ceremony, someone has stolen a glance at his great solo performance. Overcome by invisible jazz, he ignites the match. The performance continues. Bravo pour le clown! Breaths, breathing, the soul of thought, the essence of memory, the inevitable destruction of material, burning before him, he breaths as if at this moment this breath were his only chance, his last great homage to the lost, to the forgotten, and he is dizzied by the weight of this honor. He exhales.
Though the true Jazz is lost, it sizzles on in his twilight late night dizziness, spirals out from his mind and dissipates in the airwaves. Senses piqued, toes tapping, new walls broken; another new moment burns bright and goes out, the trail of smoke a signal flare to a distant self, a memory of this passing second, this pin-prick in time. Another vast inhalation, a long, slow exhale. He bows, if only to himself, and the curtains, as in all moments, close.